Showing posts with label Finishing Line Press. Show all posts
Showing posts with label Finishing Line Press. Show all posts

Monday, April 2, 2012

National Poetry Month: Anne Clinard Barnhill


National Poetry Month 2012, Day 2



Anne Barnhill dropped by City Lights Bookstore in Sylva, NC a few weeks back to talk about her new novel, At the Mercy of the Queen.  Her poetry chapbook titled Coal, Baby had not been released yet.  It was waiting in the wings.  Now it has flown out into the world, or soon will be, and I can feature some of the poems on its pages to celebrate National Poetry Month.   
If you go to Anne's website, you'll find out more about her, but for starters, here's her short biography.


"Anne Clinard Barnhill has been writing or dreaming of writing for most of her life. For the past twenty years, she has published arti cles, book and theater reviews, poetry, and short stories. Her first book, AT HOME IN THE LAND OF OZ, recalls what it was like grow ing up with an autistic sister. Her work has won various awards and grants. Barnhill holds an M.F.A. in Cre ative Writing from the Uni ver sity of North Carolina at Wilming ton. Besides writ ing, she also enjoys teaching, conducting writing work shops and seminars to enhance creativity." 







The Angel of Appalachia Speaks


Awaken the trees.
Call the clouds to collect themselves
and march the mountains to the sea.


Gather starbuds.
Shepherd every skittering thing—
beetle, grub, spider, snake—
all the crawling ones of the earth.
Lead them to the water.


The birds of the air
and the creatures of the deeps—
starfish and kingfisher
catbird and calico
deer and panther—
bring them.


Deliver the children of dust,
the bare, two-legged ones.
Call all to the banks of oblivion--
the air itself and the sad, sad rivers,
boulders and shattered rocks,
fragmented fossils and live veins of coal--
direct them to the blistering waters.


There, they will weep together
for all that is lost.


After  they have re-salted the earth with their tears, 
after they can no longer stand,
they will sink until their cheeks press against the pebbled bank
and their bones feel the pull of naked earth.







Snow Angel



The first snow made us light-hearted,
hopeful the inches would pile up.
When they did, you bundled me, yourself, too.
Up King’s Hill we tramped,
our sleds trailing us, slow as mules.


Atop, we warmed stiff mittens
over the garbage-can fire.
I lay my heart against the wooden slats—
the thudding, a quick comfort—
You pushed me off, down
    down
down

Cold wind in my nose, ice pricks on my cheeks—
Houses, legs, bushes, dogs—
My belly skirting snow piles—
Finally, the slow glide to safety,
you close behind.



Old Bob Gaul


I saw him often on our one-horse Main,
smelling of dirty socks, sour wine, urine.
Beneath his unzipped fly
it hung, one eye staring, a dead fish.
Sweet snow danced on his matted hair,
that hatless head a roost for pigeons.


Schoolboys taunted him while he gathered 
his harvest of coke bottles.
Grown-ups gave him a wide berth
and matched his averted stare.
In winter, he came to church,
his back pew in ready reserve.
He hunkered into it
like a scolded dog.


Rumor swore he’s been a pianist,
some young Mozart gone awry.
Hard to believe there’d been that kind of light
in his red, dead-panned eyes.


Once, at midnight, on a back-road haunt,
far from any place I’d been,
in the clearing, a one-room shack--
his shadow bent low to the concert grand,
the air rippled mountain arpeggios,
thrilled wild with thundering chords
crashed against granite peaks.









Friday, August 12, 2011

MARY RICKETSON: SINGING THE POETRY OF PLACE


Few poems speak to our love of place and the way it can enrich and enlarge our spirits as well as Mary Ricketson's Lost in the Roar of Big Santeetlah.   When we fall in love with a place, as Mary  reveals in this poem, we want to carry that love with us, giving it away generously to the world at large.  This is how we will save our places from degradation, this is the legacy we will leave to our children.  


Mary's poem recently won the poetry contest sponsored by the Joyce Kilmer Memorial Forest, itself a legacy of what remains of the old growth forests that once flourished in our mountains.  Only a few stands remain now.  Big Santeetlah Creek runs through this beloved landscape.  Mary's poem is a fine and appropriate way to celebrate the 75th anniversary of the Kilmer Memorial Forest.  

Mary lives in Murphy and has been an active member of the Writers Network West for years.  She published a chapbook, I Hear the River Call My Name, with Finishing Line Press in 2008, which I featured on my North Carolina Laureate's Writers & Books site.  You will find out more about Mary there.



Lost in the Roar of Big Santeetlah


I cross a wooden bridge.
A stand of dark red trillium
waits for my attention.
White violets and crested dwarf iris
sit quietly at trail’s edge.  Birdsong begins.
Butterflies dance. Jack in the Pulpit presides.
River birch, pine and poplar stand tall.
Rippling water stills my thoughts.
I can taste the wind.

Soon pink lady slipper will bloom,
then purple rhododendron.
I know every season at this forest.

I fell in love here long ago,
found comfort on this path,
met parts of me I did not know,
told secrets never spoken.
Trees made promises
then asked for mine.
I fill myself with peace and hope when I am here
then give it all away when I am gone.


=